VIDEO:
Allen Toussaint (RIP) –
“I’ll Take A Melody”
– Joe’s Pub
– NYC
– 11/20/11
Sad to learn of the passing today of the great Allen Toussaint. http://nyti.ms/1kmMVjb
Many of you may be more familiar with the Jerry Garcia Band version of this song, “I’ll Take A Melody”, written by Allen Toussaint.
From Phil Lesh on Furthur.net
A Beautiful Mind
I received a text in the middle of last night that Bear Stanley has died in a car accident in Australia. Bear, for me, was a true kindred spirit; when we first met, it was as if I had met a long-lost brother from another lifetime. I am heartbroken and devastated at his passing.He was a friend, a brother, an inspiration, and our patron at the very beginning of our creative lives. We owe him more than what can be counted or added up- his was a mind that refused to accept limits, and he reinforced in us that striving for the infinite, the refusal to accept the status quo, that has informed so much of our work.
He never gave up his quest for pushing the limits of whatever he was working on. We had just been discussing his concept of point-source sound reinforcement in relation to a new project of mine, and his vision incorporated the latest developments in technology and perceptual research.
My heart goes out to his family, for whom he had such love and pride- his wife Sheilah, his children, grand-children, and great-grandchildren- who have lost their patriarch.
A mind like Bear’s appears very rarely, and it’s been my privilege and honor to have known and loved two such minds- Jerry and Bear. I always laugh when I think about what Jerry once said about Bear: There’s nothing wrong with Bear that several billion fewer brain cells wouldn’t fix.
I am eternally grateful for all of the gifts that Bear brought to the scene and to the music.
Fare you well; I love you more than words can tell.
– Phil
From Reuters:
LOS ANGELES | Sun Mar 13, 2011 2:49pm EDT
LOS ANGELES (Reuters) – Owsley “Bear” Stanley, a 1960s counterculture figure who flooded the flower power scene with LSD and was an early benefactor of the Grateful Dead, died in a car crash in his adopted home country of Australia on Sunday, his family said. He was believed to be 76.
The renegade grandson of a former governor of Kentucky, Stanley helped lay the foundation for the psychedelic era by producing more than a million doses of LSD at his labs in San Francisco’s Bay Area.
“He made acid so pure and wonderful that people like Jimi Hendrix wrote hit songs about it and others named their band in its honor,” former rock ‘n’ roll tour manager Sam Cutler wrote in his 2008 memoirs “You Can’t Always Get What You Want.”
Hendrix’s song “Purple Haze” was reputedly inspired by a batch of Stanley’s product, though the guitarist denied any drug link. The ear-splitting blues-psychedelic combo Blue Cheer took its named from another batch.
Stanley briefly managed the Grateful Dead, and oversaw every aspect of their live sound at a time when little thought was given to amplification in public venues. His tape recordings of Dead concerts were turned into live albums.
The Dead wrote about him in their song “Alice D. Millionaire” after a 1967 arrest prompted a newspaper to describe Stanley as an “LSD millionaire.” Steely Dan’s 1976 single “Kid Charlemagne” was loosely inspired by Stanley’s exploits.
According to a 2007 profile in the San Francisco Chronicle, Stanley started cooking LSD after discovering the recipe in a chemistry journal at the University of California, Berkeley.
The police raided his first lab in 1966, but Stanley successfully sued for the return of his equipment. After a marijuana bust in 1970, he went to prison for two years.
“I wound up doing time for something I should have been rewarded for,” he told the Chronicle’s Joel Selvin. “What I did was a community service, the way I look at it. I was punished for political reasons. Absolutely meaningless. Was I a criminal? No. I was a good member of society. Only my society and the one making the laws are different.”
He emigrated to the tropical Australian state of Queensland in the early 1980s, apparently fearful of a new ice age, and sold enamel sculptures on the Internet. He lost one of his vocal cords to cancer.
Stanley was born Augustus Owsley Stanley III in Kentucky, a state governed by his namesake grandfather from 1915 to 1919. He served in the U.S. Air Force for 18 months, studied ballet in Los Angeles, and then enrolled at UC Berkeley. In addition to being an LSD advocate, he adhered to an all-meat diet.
A statement released by Cutler on behalf of Stanley’s family said the car crash occurred near his home in far north Queensland. He is survived by his wife Sheila, four children, eight grandchildren, and two great-grandchildren.
(Reporting by Dean Goodman, editing by Peter Bohan)
Captain Beefheart on David Letterman:
Captain Beefheart passed away today, at the age of 69. RIP Captain.
Vist Frownland for Captain Beefheart music and stuff.
Jerry was a well known Taper, one of the originals! This picture is from David Gans on his Flickr page – and was taken in January 2008 when Jerry visited the Sirius studios.
The first cover of Dead Relix, Vol. 1 #1, done by editor of the day, Jerry Moore.
Taper culture was a new thing, an innovation – really it was at the orgins of the ideas behind Open Source, and Filesharing. Another culture trend started by deadheads.
Relix Magazine began as a fanzine about the Grateful dead, and the growing taper and deadhead family. While Relix now covers the greater music scene with a focus on Jambands and Festival culture, it is still tie-dyed to the wool and always acknowledges it’s roots as a magazine for Deadheads.
Would Relix even have come into being without Jerry? I’m talking Moore, not Garcia right now. According to DeadDisc.com:
A US magazine which was originally a California based Grateful Dead fanzine. From the first issue in late 1974 through to the last issue of 1976 the title of the magazine was Dead Relix. From 1977 onward the title was Relix except for a couple of years in the 1980’s when Dead Relix was temporarily reinstated. There have generally been 6 issues each year.
Relix was edited by Jerry Moore from 1974 to 1977, Jeff Tamarkin from 1978 to 1979 and Toni Brown from 1980 to 2002.
Initially the magazine was intended primarily for Grateful Dead taper traders. The musical coverage slowly expanded during the early years to cover other Bay Area music. Hence the change in title in 1977. The range of music continued to expand to take in other genres. From the mid-80’s to mid-90’s a steady balance was achieved with a Grateful Dead focus remaining at the centre of wide ranging music and non-music content.
Oh the nights they've spent inside the coliseums! Jerry Moore's Microphones - photo by David Gans (dgans on Flikr)
Deadheadland owes a debt of gratitude to the late Jerry Moore; the love and unlimited devotion of people like Jerry paved the golden road. While I didn’t personally know him, I still feel the loss – especially as I realize the impact he has had seeding this community. An inspiration to move brightly. Do what you love, and love what you do.
To learn about more about Jerry, and the history of taping, relix, and more read this article by Lee Abram on the Toni Brown Band site.
Please add any personal recollections of Jerry you may have, using the comments below.
From Toni Brown, for family and friends (on Facebook):
Wake and funeral info
Visitation Friday 2-4 & 7-9 at
Hodder & Son Funeral Home, 899 McClean Ave, Yonkers, NY 10704 914-237-5800
Mass Saturday 9:45 – St. Barnabus Church, 409 E 241st St
Bronx, NY 10470 718-324-1478
Burial afterward at Gates of Heaven Cemetery in Hawthorne
